THE MANY WORLDS OF SARALA DEVI: A DiaryTranslated from Jeevaner Jharapata
Sukhendu Raywith an Introduction by Bharati Ray&
Sukhendu Raywith an Introduction by Bharati Ray&
THE TAGORES AND SARTORIAL STYLES: A Photo EssayMalavika Karlekar
Also available as ebook at: http://www.into-ebooks.com/book/the_many_worlds_of_sarala_devi_and_the_tagores_and_sartorial_styles/
228 pp 215x140 mm Hardback 15 illustrations
Published price Rs 550
ISBN 978-81-87358-31-2
Pub date January 2010
Published price Rs 550
ISBN 978-81-87358-31-2
Pub date January 2010
This charming book The Many Worlds of Sarala Devi and The Tagores and Sartorial Styles, as the titles suggest, contain two separate but related writings on the Tagores. The Tagores were a pre-eminent family which became synonymous with the cultural regeneration of India, specifically of Bengal, in the nineteenth century.
The first writing is a sensitive translation of Sarala Devi’s memoirs from the Bengali, Jeevaner Jharapata, by Sukhendu Ray. It is the first autobiography written by a nationalist woman leader of India. Sarala Devi was Rabindranath Tagore’s niece and had an unusual life. The translation unfolds, among other things, what it was like to grow up in a big affluent house Jorasanko, that had more than 116 inmates and a dozen cooks! The second writing by Malavika Karlekar is a photo essay, creatively conceived, visually reflecting the social and cultural trends of the times, through styles of dress, jewellery and accoutrements. The modern style of wearing a sari was introduced by Jnanadanandini Devi, a member of the Tagore family.
The introduction by the well-known historian, Bharati Ray, very perceptively captures the larger context of family, marriage, women’s education and politics of the time which touched Sarala Devi’s life. She points out that if memoirs are a kind of social history then women’s diaries record social influences not found in official accounts and are therefore, a rich source of documentation.
Sukhendu Ray has published several translations from Bengali literature of which the more recent ones are, The Winged Horse from Thakurmar Jhuli (OUP, 1997); Rabindranath Tagore’s Chokher Bali (Rupa, 2006) and Sukanta Chaudhuri ed. Selected Writings for Children: Rabindranath Tagore (OUP, 2006).
Bharati Ray is Honorary Professor, Department of History, Calcutta University. She is the author of Early Feminists in Colonial Bengal: Sarala Devi Chaudhurani and Begum Rokeya Sakhawat Hossain (OUP, 2002); From Independence Towards Freedom: Indian Women since 1947 (OUP, 1999) and From the Seams of History: Essays on Indian Women (OUP, 1995).
Malavika Karlekar is Editor, Indian Journal of Gender Studies and the Curator of Re-presenting Indian Women 1875-1947: A Visual Documentary. Her recent publications include Remembered Childhood: Essays in Honour of André Béteille co-edited with Rudrangshu Mukherjee (OUP, 2010); In So Many Words: Women’s Life Experiences from Western and Eastern India co-edited with Aparna Basu (Routledge, 2008) and Re-visioning the Past: Early Photography in Bengal 1875-1915 (OUP, 2005).
The first writing is a sensitive translation of Sarala Devi’s memoirs from the Bengali, Jeevaner Jharapata, by Sukhendu Ray. It is the first autobiography written by a nationalist woman leader of India. Sarala Devi was Rabindranath Tagore’s niece and had an unusual life. The translation unfolds, among other things, what it was like to grow up in a big affluent house Jorasanko, that had more than 116 inmates and a dozen cooks! The second writing by Malavika Karlekar is a photo essay, creatively conceived, visually reflecting the social and cultural trends of the times, through styles of dress, jewellery and accoutrements. The modern style of wearing a sari was introduced by Jnanadanandini Devi, a member of the Tagore family.
The introduction by the well-known historian, Bharati Ray, very perceptively captures the larger context of family, marriage, women’s education and politics of the time which touched Sarala Devi’s life. She points out that if memoirs are a kind of social history then women’s diaries record social influences not found in official accounts and are therefore, a rich source of documentation.
Sukhendu Ray has published several translations from Bengali literature of which the more recent ones are, The Winged Horse from Thakurmar Jhuli (OUP, 1997); Rabindranath Tagore’s Chokher Bali (Rupa, 2006) and Sukanta Chaudhuri ed. Selected Writings for Children: Rabindranath Tagore (OUP, 2006).
Bharati Ray is Honorary Professor, Department of History, Calcutta University. She is the author of Early Feminists in Colonial Bengal: Sarala Devi Chaudhurani and Begum Rokeya Sakhawat Hossain (OUP, 2002); From Independence Towards Freedom: Indian Women since 1947 (OUP, 1999) and From the Seams of History: Essays on Indian Women (OUP, 1995).
Malavika Karlekar is Editor, Indian Journal of Gender Studies and the Curator of Re-presenting Indian Women 1875-1947: A Visual Documentary. Her recent publications include Remembered Childhood: Essays in Honour of André Béteille co-edited with Rudrangshu Mukherjee (OUP, 2010); In So Many Words: Women’s Life Experiences from Western and Eastern India co-edited with Aparna Basu (Routledge, 2008) and Re-visioning the Past: Early Photography in Bengal 1875-1915 (OUP, 2005).
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